Popularity-0 recordings of Hilary Summers in everplay

Artist record: Hilary Summers. Each recording links its record page, which carries the recording's JSON-LD record; every record is unproven, a description derived from supplier metadata.

This list as JSON-LD: the same URL with Accept: application/ld+json.

• What Next? DEB330081701
• Le Marteau sans Maître: Avant "l'Artisanat furieux" DEN960201081
• Le Marteau sans Maître: Commentaire I de "Bourreaux de solitude" DEN960201082
• Le Marteau sans Maître: "L'Artisanat furieux" DEN960201083
• Le Marteau sans Maître: Commentaire II de "Bourreaux de solitude" DEN960201084
• Le Marteau sans Maître: "Bel édifice et les pressentiments" version première DEN960201085
• Le Marteau sans Maître: "Bourreaux de solitude" DEN960201086
• Le Marteau sans Maître: Après "L'Artisanat furieux" DEN960201087
• Le Marteau sans Maître: Commentaire III de "Bourreaux de solitude" DEN960201088
• Le Marteau sans Maître: "Bel édifice et les pressentiments", double DEN960201089
• Le Marteau sans Maître: L'artisanat furieux. Modéré sans rigeur DEN961700043
• Le Marteau sans Maître: Bel edifice et les pressentiments – Version première. Assez vif DEN961700045
• Le Marteau sans Maître: Bourreaux de solitude. Assez lent DEN961700046
• Le Marteau sans Maître: Bel édifice et les pressentiments – Double. Tempo libre de récit DEN961700049
• Die Soldaten, Vocal Symphony, Act II: VIb. Capriccio, corale e ciaccona II. Was fehlt Ihnen, mein goldnes Mariel... FINDE1800175
• Handel: Orlando, HWV 31, Act 1: Arioso. "Ritornava al suo bel viso" (Angelica, Medoro) FRZ209617712
• Handel: Orlando, HWV 31, Act 2: Recitativo. "Da queste amiche piante" (Angelica, Medoro) FRZ209617727
• Handel: Orlando, HWV 31, Act 2: Recitativi. "Ah perfida, qui sei!" - "Ohimè! Che miro!" - "Amor, caro amore!" (Angelica, Orlando, Medoro) FRZ209617732
• Handel: Orlando, HWV 31, Act 3: Aria. "Vorrei poterti amar" (Medoro) FRZ209617737
• Into the Little Hill: Pt. 1, I. The Crowd GBAJU0800582
• Into the Little Hill: Pt. 1, II. The Minister and the Crowd GBAJU0800583
• Into the Little Hill: Pt. 1, III. The Crowd GBAJU0800584
• Into the Little Hill: Pt. 1, IV. The Minister and the Stranger GBAJU0800585
• Into the Little Hill: Pt. 1, V. Interlude GBAJU0800586
• Into the Little Hill: Pt. 2, VI. Inside the Minister's Head GBAJU0800587
• Into the Little Hill: Pt. 2, VII. The Minister and the Stranger GBAJU0800588
• Into the Little Hill: Pt. 2, VIII. Interlude GBAJU0800589
• HMS Pinafore: III. 3. Act I, Recitative and Song. Hail, Men-o'-war's Men GBASH1652203
• HMS Pinafore: V. 5. Act I, Scena. The Nightingale Sighed GBASH1652205
• HMS Pinafore: VII. 7. Act I, Recitative. Sir, You Are Sad! GBASH1652207
• HMS Pinafore: XIX. 19. Act II, Duet. Things Are Seldom What They Seem GBASH1652219
• HMS Pinafore: 25. Act II, Octet. Farewell, My Own GBASH1652225
• HMS Pinafore: 26. Act II, Legend. A Many Years Ago GBASH1652226
• HMS Pinafore: XXVII. 27. Act II, Finale. Oh Joy, Oh Rapture Unforeseen GBASH1652227
• The Wandering Jew, Scene 6: Pt. 3, I've Seen Centuries of Dancers GBCML1117017
• The Deluge, Op. 7: Scene 1, — GBCML1216503
• The Deluge, Op. 7: Scene 2, — GBCML1216504
• The Deluge, Op. 7, Scene 3: Huge Branches GBCML1216505
• The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live) GBCML1419702
• The Importance of Being Earnest, Act II: Garden at the Manor House (Live) GBCML1419712
• The Importance of Being Earnest, Act II: Freude, schöner Götterfunken (Live) GBCML1419714
• The Importance of Being Earnest, Act III: Lady Bracknell (Live) GBCML1419732
• The Importance of Being Earnest, Act III: But Where Did You Deposit the Handbag? (Live) GBCML1419733
• The Importance of Being Earnest, Act III: Is This the Handbag? (Live) GBCML1419735
• The Importance of Being Earnest, Act III: Explosion! (Live) GBCML1419737
• Chanson einer Dame im Schatten GBDVE0600001
• Es war Erde in ihnen GBDVE0600002
• Psalm GBDVE0600003
• Corona GBDVE0600004
• Nächtlich Geschürzt GBDVE0600005

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